was margaret lockwood's beauty spot real

Was a committed teetotaller all her life and detested the taste of With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. I used to love her films.. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. For Rowland, it all began with putting a dot of black Duo lash glue on her face. Before long, mouches made their way into politics. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019). This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. "It was the cutest stinking mole, and I was sold," she admitted. Possibly up to halfof all melanomas start as benign moles. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. As you now know, the 18th century was thetime for magnificent moles. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". It was an uphill battle even for those who survived. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. [40][41] It was not popular. She was born on September 15, 1916. From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. her flawless complexion - enhanced by a beauty-spot! In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. Production Company: Gainsborough Pictures. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. Julia Lockwood with her mother, Margaret, in 1980. Margaret Lockwood. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . ]died July 15, 1990, London, Eng. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. The film had one of the top audiences for a film of its period, 18.4 million. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. She likes what she likes, okay? Still, our work isn't quite done yet. You can play him as a fey creature or right down to earth. The Truth About Beauty Marks. alcohol. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. Gaumont extended her contract from three to six years. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. You canbe born with one, or you can develop one at a later point in your life. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. 2023 British Film Institute. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. As an only child herself, she had once said: I love children. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. clerk, was educated in London and studied to be an actress at the In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. Who knew the social science behind moles could be so complicated? A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. In the 17th and 18th centuries, smallpox was running rampant in Europe. All rights reserved. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Images of the British actress, Margaret Lockwood. Full Time, Part Time position. Corrections? As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. Enter your account data and we will send you a link to reset your password. She was made Commander of the Order of the British Empire in 1980. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. Actress: The Lady Vanishes. "[11] Hitchcock was greatly impressed by Lockwood, telling the press: She has an undoubted gift in expressing her beauty in terms of emotion, which is exceptionally well suited to the camera. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. She preferred to drink hot chocolate, buying 60 3.7 Stars and 24 reviews of Lisa Family Salon "For being in So Cal for only 6 months, I have only gotten my hair cut once and that was back in Nor Cal when I went home to visit family. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. Italia Conti Drama School. Enjoying our content? Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on. This is partially dictated by Hollywood's elite. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. Her body was cremated at Putney Vale Crematorium. Directed by: Leslie Arliss. Search instead in. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. The American supermodel isn't the only one with an iconic beauty mark. Used Margie Day briefly as her stage name at the very beginning of her stage career. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. I used to love her films. Her first moment on stage came at the age of [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. After becoming a dance pupil at the Italia Conti school. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. Mason and Mullen are artificially aged to play the old couple. I think they're the cutest thing. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. But, just what is a beauty mark anyway? Gasp! Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. Karachi-born Margaret Lockwood, daughter of a British colonial railway Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Actors: Margaret Lockwood, James Mason, Patricia Roc. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. Long live the mouches! Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Beautician, Beauty Salon, Barber, Hair Stylist. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Below are some glamorous photos of young Margaret Lockwood from her early life and career. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. before completing her training at the Royal Academy of Dramatic Art. She was born on September 15, 1916. Contents 1 Plot 2 Cast 3 Production 4 Reception This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. Here you'll find all collections you've created before. Updates? Listed on 2023-02-26. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. They were going to look after me as no one else had done before. Streamline your workflow with our best-in-class digital asset management system. These days, Crawford realizes that her well-placed spot helps her remain recognizable and unique. Switch to the dark mode that's kinder on your eyes at night time. Privacy Policy. It also helps other women with beauty marks to have an ally with which to identify. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. 2023 Getty Images. [9] This movie was a hit and launched Lockwood as a star. - makes her the epitome of the British noblewoman. 1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Imagine the awkwardness of having a real beauty mark during this period in history? In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagans production of Hannele by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, Lorna Doone when Dorothy Hyson fell ill. Early Years Your email address will not be published. The music was written by Hubert Bath. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. A free trial, then 4.99/month or 49/year. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. Rex Harrison was the male star. She called it My first really big Picture. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . I like having familiar faces that recognize me. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). The sadomasochistic elements ofLeslie Arlisss film in which Lockwoods character is sexually commandeered and eventually raped by Masons lord were 50 shades stronger than 2015s most ballyhooed eroticdrama. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". Millions of high-quality images, video, and music options are waiting for you. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. They did. She had a small role in Who's Your Lady Friend? October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. Stage career As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. Any moles or flaws are usually Photoshopped out to create the image of beauty." Access the best of Getty Images with our simple subscription plan. Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. When a proposed film about Elisabeth of Austria was cancelled,[37] she returned to the stage in a record-breaking national tour of Nol Coward's Private Lives (1949)[38] and then played the title role in productions of J. M. Barrie's Peter Pan in 1949 and 1950. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. Hes a boy with so many emotions. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. Showing Editorial results for margaret lockwood. British Parliament wasn't a fan of this tomfoolery, though. And why do people love them or hate them? It was one of a series of films made by Gaumont aimed at the US market. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. The Lady Vanishes: The Criterion Collection [Blu-Ray]. Let us know if you have suggestions to improve this article (requires login). She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. 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